Google in talks with Marvell Technology to develop two new AI chips: Report

Google in talks with Marvell Technology to develop two new AI chips: Report



Alphabet’s Google is in talks with Marvell Technology to develop two new chips aimed at running AI models more efficiently, The Information reported on Sunday citing two people with knowledge of the discussions.

 


One of the chips is a memory processing unit designed to work with Google’s tensor processing unit (TPU), and the other chip is a new TPU built specifically for running AI models, the report said.

 


Google has been pushing to make its TPUs a viable alternative to Nvidia’s dominant GPUs. TPU sales have become a key driver of growth in Google’s cloud revenue as it aims to show investors that its AI investments are generating returns.

 
 


Reuters could not immediately verify the report. Google and Marvell did not immediately respond to a request for comment.

 


The companies aim to finalise the design of the memory processing unit as soon as next year before handing it off for test production, according to the report.

First Published: Apr 19 2026 | 7:46 PM IST



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How do teens use AI companions? With more creativity than you might think

How do teens use AI companions? With more creativity than you might think


In 2022, the founders of chatbot startup Character.AI launched a platform where anyone could create interactive characters powered by artificial intelligence (AI).


The app exploded, quickly growing to more than 20 million users who created more than 10 million chatbot characters.


Many of the users creating those characters were young people – until they weren’t. In November 2025, under mounting public and legal pressure surrounding youth suicides linked to its use, Character.AI banned users under 18. The decision was made after a number of attempts to improve youth safety, including parental controls and stricter content filters.


The ban is an attempt to keep teens safe from potential harm. But the more creative, playful and emotionally expressive AI experiments they were doing have also been silenced.


Our new research, published in the proceedings of the Association for Computing Machinery CHI Conference 2026, captures and preserves the new ways youth are experimenting with AI, so that we can build towards something better.


 


What do teens actually use AI chatbots for?


In 2026, three in ten US teenagers use AI daily. The idea of using AI for companionship has dominated media headlines and app stores, with hundreds of apps on offer.


Media coverage of AI companions taps into two primary fears. One is that young people will replace human friendships with AI. The other is that engaging with sycophantic chatbots instead of real people will result in teens losing their social skills.


These concerns are important. But companionship accounts for a surprisingly small share of why young people actually use AI. A recent Pew Research Center survey found the top uses by teens are seeking information (57%), doing homework (54%) and “for fun” (47%). Only a small percentage (12%) used AI for emotional support or advice. Romance and loneliness alleviation frequently rank among the lowest motivations for teen AI use: 4–6% and 8–11%, respectively.


When the public narrative almost exclusively frames AI chatbots as companions, it risks overlooking the bulk of how teenagers spend their time with AI.


Our team set out to understand what young people choose to do with AI when they’re free to use it outside of school contexts – seeking fun, messing around, and creating characters of their own design. 

 


AI as entertainment


Before the ban, Character.AI was a popular “AI entertainment” destination for young people. It still has a viral TikTok channel, and has characters from popular youth media, from Peppa Pig to Call of Duty.


Our team spent more than eight months, between July 2024 and March 2025, immersed in Character.AI’s official community on online chat platform Discord, with more than 500,000 members. We systematically analysed 2,236 posts by young people aged 13–17. Of those users the majority, 68.2%, identified as female or non-binary; and 59% had created their own AI characters.


Through an analysis of youth discussion on the platform, we identified three core intents behind engagement with Character.AI: restoration, exploration and transformation.


Restoration


my favourite period comfort bot is Percy Jackson


Young people used characters for emotional comfort, venting, escapism and mood management. Rather than mirroring a formal clinical practice, we observed youth discussing “comfort bots” where young people engaged in soft, tender and gentle roleplay with familiar characters.


Beloved book characters would comfort people on their period, or characters from popular comics would give someone a pep talk for an upcoming math test.


Exploration


Character.AI has helped me find that creative spark within myself


Young people explored boundaries, engaged in creative world-building, and extended their fandoms. One teen wrote a three-book-long saga through character interactions. Another created a troupe of travelling theatre characters inspired by their love of theatre. They reported this use transferred skills into the real world, boosting creativity and improving their writing.


Transformation


I have characters who struggle with mental health issues and I tend to project on my personas during RP [roleplay]


Young people used AI to try on different identities, process real-life relationships, and re-author difficult real-life scenarios. Some people created “clones” of themselves, with superpowers or self-affirming versions of themselves.


Inspired by reality, they discussed creating characters that reflected real-world challenging relationships, such as “toxic friends”, “annoying sister”, or “foster care agent”.


Characters created with purpose


We also mapped seven distinct character archetypes young people were creating and discussing:


  • Soother – emotionally supportive figures

  • Narrator – a cast of characters for roleplays

  • Trickster – jesting, testing and transgressive chats

  • Icon – remixed celebrities or fandom figures

  • Dark Soul – angsty, emotionally complex characters

  • Proxy – modelled after real people in their lives, and

  • Mirror – clones of the self.


These archetypes are a central finding of our research. Instead of sycophantic or romantic chatbot engagement, young people are purposefully creating characters that are angsty, transgressive, playful, creative and reflective.


This shows we need to stop treating “companion AI” as if it’s one homogeneous thing. Treating AI chatbots as a single category is like treating all screen time as the same experience, whether a child is watching Bluey with family or doomscrolling short-form content at night, alone on their phone when they should be sleeping.


Towards better chatbots


The American Academy of Paediatrics recently shifted screen-time guidelines from set time limits to a framework that accounts for the individual child, their use, family relationships and their environment.


The same logic should apply to AI chatbots. This means moving beyond asking adults about their child’s use of AI, testing AI products with fake accounts that assume certain use cases, and banning access before listening to young people – their experiences, their experiments and their ideas for the future.


Banning is a reaction to bad design, but it doesn’t lead to better, safer AI products for teens.


The answer is not to permanently keep young people away from AI. Rather, it’s to build AI that deserves their trust, fosters their creativity and keeps them grounded in the physical world with families, friendships and communities.



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Nervous Indian fintech firms push Anthropic for early access to Mythos

Nervous Indian fintech firms push Anthropic for early access to Mythos



India’s major financial technology firms are pushing Anthropic PBC to give them early access to Mythos, the artificial intelligence model that has sparked global fears about a new era of cyberattacks.

 


One97 Communications Ltd., Razorpay Software Ltd. and Pine Labs Ltd. are among the Indian companies that have pushed the San Francisco-based AI developer to let them test Mythos and detect vulnerabilities on their own systems. Their requests came after Anthropic announced a limited roll-out of its latest large-language model, which it considers too dangerous to release more widely. 

 


“We had an urgent call with Anthropic to check when they’re creating a second list of companies that will get access to Mythos,” said Vijay Shekhar Sharma, founder and chief executive of One97. 

 
 


Sharma said Anthropic representatives asked him what One97 would do with Mythos, and how it could help the company. The questions, he suggested, reflect just how seriously Anthropic is weighing who gets near this technology — and why.

 


“Is this the beginning of the end?” said Sharma, adding that the anxiety over such models is existential not just for businesses but for financial systems. “A country’s technology networks and financial systems could be infiltrated from any node anywhere. You don’t need to fire missiles to go to war anymore.”

 


The push among Indian firms to win access to Mythos reflects fears across the world. Regulators, central bankers and executives have been on high alert after it emerged that Mythos can discover cybersecurity vulnerabilities that have gone undetected for years. 

 


Anthropic first stress-tested Mythos internally before raising the alarm and extending access to a select group of a dozen companies, including Amazon Web Services Inc., Apple Inc., and JPMorgan Chase & Co. The AI company is looking to cautiously expand that access through a program it calls Project Glasswing.

 


The move sent tremors through global financial circles, with US Treasury Secretary Scott Bessent calling the model “a step function change in abilities” — meaning a sharp jump. European Central Bank President Christine Lagarde warned this week about the risk if Mythos fell into the wrong hands.

 


The question now haunting boardrooms and government ministries alike is whether Mythos could enable the mass looting of bank accounts, paralyze international payment systems or even trigger a full-blown crisis in the global financial system. The Reserve Bank of India didn’t immediately respond to an email on whether the banking regulator or India’s banks and insurers were taking any steps to assess the risks from Mythos.

 


Security teams are already working overtime at Razorpay, a company whose platform businesses use to collect payments through credit and debit cards, online banking and electronic wallets.

 


“It’s a race against time for startups like us,” said Razorpay’s cofounder and chief executive officer Harshil Mathur. “We’ve asked for Mythos access as we want to test the weaknesses on our platform and strengthen our defenses.”

 


Mathur said that in the startup groups he’s part of, Mythos has been the hot topic of discussion for the past 10 days. Anthropic may expand the roll-out with stringent contracts on limited use to test companies’ own infrastructure, disallowing commercial use, he said.

 


India is home to millions of engineers who write code for Wall Street banks, insurers and credit card giants. The country has become the second-largest market for Anthropic’s Claude model, with coders mainly using it for building apps, debugging software and modernizing IT systems.

 


“Regulators will push for more stringent security norms owing to the threat of increased attacks,” said Pine Labs’ Chief Executive Officer Amrish Rau. “Security can’t be a compliance checkbox anymore.”



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Tech Digest April 17: Gucci Android XR glasses, AI Mode on Chrome, Netflix

Tech Digest April 17: Gucci Android XR glasses, AI Mode on Chrome, Netflix


 


Gucci is reportedly preparing to enter the smart glasses category in collaboration with Google, as per a report by Reuters. Luca de Meo, CEO of Kering — the French luxury group that owns Gucci — stated that the company is aiming for a 2027 launch timeline. He shared this on the sidelines of the group’s capital markets day held in Florence, Italy. Google has not issued any official comment on the matter.

 


Bengaluru-based consumer tech start-up Circuit House Technologies has introduced new mini LED smart TVs under its Lumio brand. Named Lumio Vision 9, the lineup comes in 65-inch and 55-inch variants and features a QD MiniLED display. It supports Dolby Vision HDR and offers up to a 240Hz refresh rate for gaming.

 
 

 


Google has unveiled a new browsing experience in Chrome using AI Mode. According to the company, the update enables users to browse websites and interact with AI at the same time without switching tabs. The feature allows web pages to open alongside the AI interface and supports adding multiple tabs, images, and files into queries.

 

 


Netflix may soon introduce a vertical video feed on its iPhone app. As per a report by 9To5Google, the company revealed this update in a shareholder letter following its latest earnings call. The report suggests the feature could roll out before the end of April and will allow users to scroll through clips and previews for easier content discovery.

 

 


OpenAI has announced a significant update to Codex, expanding its functionality beyond coding into a broader development assistant. The update brings features like computer control, memory, automation, and deeper integrations with developer tools to support tasks across the workflow. It also introduces over 90 new plugins, combining app integrations, skills, and MCP servers to improve context gathering and task execution.

 

 


Google may be developing a Pixel-branded laptop along with a new lighting feature called “Pixel Glow,” according to findings from Android Canary and Android 17 Beta builds reported by 9To5Google. The report indicates both are in early stages, with system files hinting at new hardware efforts and visual interaction features.

 

 


OPPO has reportedly confirmed that its upcoming flagship, the Find X9 Ultra, launching on April 21, will support Apple AirDrop via Android Quick Share. According to 9To5Google, OPPO is working with Google to enable Quick Share compatibility with Apple devices, allowing wireless sharing of files, photos, and videos with iPhones, Macs, and iPads.

 

 


YouTube is reportedly developing a new feature for its mobile app that makes sharing specific video moments easier. According to The Verge, the platform is introducing timestamp sharing, enabling users to send videos starting from a selected point without additional steps or tools.

 

 


Anthropic has released Claude Opus 4.7, the latest version of its Opus model, focusing on improvements in software development tasks and extended workflows. The company says it builds on Opus 4.6 with better instruction following, more consistent outputs, and improved handling of complex coding. It also includes updates to multimodal features, memory, and safety systems.

 

 


Google is introducing a new feature in its Gemini app aimed at making AI-generated images more personal. Powered by “Personal Intelligence” and Nano Banana 2, it allows users to create images using their Google Photos library without uploading files or writing long prompts. The update is designed to deliver more relevant results using familiar faces, pets, and moments, while also giving users control to refine outputs.

 

 


Apple Inc.’s marketing executive responsible for the Apple Watch, AirPods, health, and smart home categories has announced his retirement, marking a leadership change across key product lines. Stan Ng, who has been with Apple for 31 years, said he is stepping down. During his tenure, he contributed to the development of the original Apple Watch and later versions, along with other major accessories.

 

 


The Instax Mini 13 is ideal for users who want a simple and fun way to capture moments without dealing with technical settings. It is not meant to replace a smartphone or a dedicated camera, but to offer instant, physical photo prints with ease. It works well for casual occasions like gatherings, birthdays, trips, or journaling. The focus is less on image perfection and more on creating tangible memories that can be shared or displayed.



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YouTube mobile app may get timestamp sharing feature for videos: Report

YouTube mobile app may get timestamp sharing feature for videos: Report


YouTube is reportedly working on a new feature for its mobile app that will make it easier to share specific moments from videos. According to a report by The Verge, the platform is introducing a timestamp sharing option that allows users to send videos starting from a selected point, without needing extra steps or tools.


To share video moments


As per the report, the new feature simplifies how users share content from longer videos. Instead of manually copying links and adjusting timestamps or using separate tools, users will be able to directly choose a moment in a video and share it instantly. The shared link will automatically start playback from that selected time.

 
 


The report added that it could be particularly useful for highlighting key moments in tutorials, interviews or long-form content, where users often want to direct others to a specific section rather than the entire video.


Changes to Clips feature


The report also suggested that this update may replace or limit the use of YouTube’s existing Clips feature, which was introduced in 2021. Clips allows users to create short segments from videos, add titles and share them as standalone snippets. However, with the introduction of timestamp sharing, YouTube is reportedly shifting towards a simpler approach.

 

While older clips will remain accessible, users may no longer be able to create new ones in the same way. The new system focuses on quick sharing rather than creating edited snippets. 

 


Availability

 


There is no official confirmation yet on when the feature will roll out widely. However, the report indicated that YouTube has already started testing the feature on its mobile app. If fully implemented, this update could make sharing video moments quicker and more convenient, especially for users who regularly engage with long-form content.

 

First Published: Apr 17 2026 | 5:15 PM IST



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Instax Mini 13 review: Playful pick that captures, prints real moments

Instax Mini 13 review: Playful pick that captures, prints real moments



If you have spent any time on Pinterest or Instagram, you have probably seen instant cameras popping up everywhere, almost like a must-have item. But beyond the looks, the real question is whether such devices add something special to your moments or if it’s just an expensive pick that most people will not use beyond the novelty phase.

 


I have been using the Instax Mini 13 for a few weeks now to see how it is to live with a point-and-shoot camera that is easy to use and presents you with actual physical photographs. Here is my experience:


Design and build


I’ve been using the Candy Pink variant, and like the other colour options, it leans towards a more playful and visually appealing design. It’s easy to see why this camera fits into the “cute gadget” trend that’s popular online. The design is simple and eye-catching, which likely adds to its appeal for casual users.

 
 


On the practical side, the Instax Mini 13 doesn’t bring any major changes in terms of design compared to its predecessor. It looks very similar to the Mini 12, with a similar rounded body and slightly bulky form. I also had the Mini 11 on hand, and that too follows a similar design language, with only minor differences in things like button placement and lens details. Compared to the Mini 11, the Mini 13 feels a bit bulkier.

 


Despite the slightly bulky build, the camera is comfortable to hold and doesn’t feel too heavy in everyday use. The grip is basic but effective, helped by the textured finish on the body that prevents it from slipping out of your hand.

 


In the box, you also get a strap that can be attached to either side of the camera. It’s useful in preventing accidental drops, especially while carrying it around. At the same time, it adds a small aesthetic touch, almost like an accessory for the camera.

 


It should be noted that the camera is mainly designed for vertical shots. While you can still take horizontal photos by adjusting your grip, it’s not the most natural way to hold it. At times, you might even end up accidentally covering the sensor or lens while trying to reposition your hand.


Set up and basic functioning


Getting started with the Mini 13 is straightforward. It runs on AA batteries, so there’s no need to worry about charging cables or power adapters. Once you load the batteries and insert a pack of Instax Mini film, the camera is ready to shoot.

 


There’s also a small counter on the back that shows how many shots you have left, which is useful. It’s a simple feature and helps you keep track before taking a photo.

 


That said, I did find it a bit confusing at times. The number dial doesn’t always align perfectly and can sit between two numbers, which makes it slightly unclear how many shots are actually remaining.

 


To turn the camera on, you have to twist the lens, which feels intuitive and adds a bit of tactile satisfaction to the process. Once it’s on, a small red light indicates that the camera is ready to shoot.

 


The process of taking pictures is as simple as it can be. There are no menus, no digital screen and no complicated settings. You just turn it on, frame your shot and press the shutter. That simplicity is clearly the main appeal here.

 


Controls


The Instax Mini 13 is simply a point-and-shoot camera with no fuss. There are no manual options for exposure, focus or other settings, as the camera handles everything on its own. This makes it easy to use, even if you are picking it up for the first time, since there’s very little to figure out.

 


The only real control you get here is the focus setting, and even that is quite limited. There are two modes to choose from: close-up and standard. If your subject is about one to two feet away, you need to switch to close-up mode. For anything beyond that, the standard setting works fine.

 


It sounds simple, but it’s also easy to forget. In my case, I ended up with a couple of soft, slightly out-of-focus shots in the beginning because I didn’t switch modes in time. Since each film is worth some extra money, these small mistakes feel more noticeable. Over time, you get used to it, but it does require some attention, especially if you’re moving between selfies and regular shots.

 


The viewfinder, on the other hand, is fairly reliable. What you see through it is quite close to what you get in the final print. This helps more than you might expect. With some instant cameras, framing can feel a bit unpredictable, which often leads to wasted shots. That’s less of a problem here, and it makes the overall shooting experience a bit more consistent.

 


One of the main additions in the Mini 13 is the self-timer. There’s a small lever around the shutter button that lets you choose between a two-second or ten-second delay. It’s a useful feature, especially for group photos or when you want to include yourself in the frame. However, this improvement also highlights one of the camera’s major drawbacks. There’s no tripod mount. That means you cannot easily place the camera on a tripod for stable shots.

 

In practice, you’ll end up placing it on tables, shelves or any flat surface you can find. Fujifilm does include a small rubber wedge attached to the strap, which can help prop the camera up at an angle. But it’s not the most reliable solution. This often results in awkward framing, especially for group shots, where the camera ends up positioned too low. You might find yourself adjusting your position to get the right angle, which can be a bit inconvenient.


Shots and selfies


Taking selfies on the Mini 13 is fairly simple. There’s a small mirror placed next to the lens that helps you roughly frame your shot. It’s not extremely precise, but it does the job for casual use, especially when you’re just trying to capture a quick moment.

 


In real use, this works well for things like clicking a quick selfie with a friend at a café or capturing a group moment during a small get-together. You don’t have to overthink it, just line yourself up using the mirror and press the shutter.

 


That said, distance plays an important role here. I noticed that shots tend to look better when the camera is held slightly farther away. If you bring it too close, your face can end up looking oversized in the frame, which isn’t always flattering. For example, holding it at arm’s length gives a more balanced shot compared to holding it too close to your face.

 


Another thing you quickly realise is how mindful you become while taking photos. Since each shot is printed on film, you naturally think twice before pressing the shutter. It’s very different from using a phone, where you can take multiple photos and delete the ones you don’t like. Here, every click counts.

 


Because of this, I wouldn’t recommend it for everyday use. The films are costly, and you also need to be a bit more careful while handling the camera compared to regular gadgets. It feels more like something you bring out occasionally rather than something you carry and use all the time.


Image quality


After you press the shutter, the camera makes a soft mechanical sound, and the photo begins to slide out from the top. It doesn’t fall out completely, and you need to gently pull it out yourself. Once the print is out, the image slowly starts to develop. It usually takes around 30 to 60 seconds for the photo to appear clearly, which adds a bit of anticipation to the whole experience.

 


Image quality is not really the main focus of this camera, and that becomes clear once you start using it. The photos are not particularly sharp, and the exposure can be a bit inconsistent depending on the lighting. In bright conditions, the results come out fairly decent, but in other situations, the camera tends to struggle.

 


I tried using it in both bright white lighting and warmer yellow indoor lighting. In yellow light, the photos often turned out slightly darker than expected. The flash does help in low light, especially for subjects that are closer to the camera, like a person standing right in front of you. But it doesn’t do much for anything in the background, which can end up looking dim or underexposed.

 


That said, this is also part of what makes instant cameras appealing. At this print size, the images have a certain charm. They are not perfect, but they feel more personal and have a slightly nostalgic quality to them.

 


If you are expecting crisp, detailed photos, this camera will likely disappoint. But if you’re okay with softer, more casual-looking images that capture the moment rather than perfection, it does the job well enough.


Instax Up! app


Fujifilm also offers a companion app called Instax Up!, which is meant to help you keep a digital copy of your printed photos. The idea is simple: you scan your physical prints and store them in one place on your phone.

 


The app is fairly straightforward to use. When you open it, you’ll see options like Scan, Gallery, Album and Instax Days. To digitise a photo, you just place the print on a flat surface and scan it through the app. It then creates a digital version that gets saved in your gallery within the app.

 


Once scanned, you can make basic edits like adjusting brightness, contrast, saturation and colour temperature. There’s also an auto-correct option if you don’t want to tweak things manually. It’s not a full editing suite, but it’s enough to make small improvements.

 


You can also add a bit more context to your photos by editing details like the date, location or giving them a name tag. The “Instax Days” section is a nice touch; it shows your photos in a calendar format, organised by the day they were taken. Sharing is as simple as well. You can send the scanned images directly through apps like WhatsApp or email, or just save them to your phone’s gallery.

 


What to Keep in Mind before using the Instax Mini 13


  • After making a few mistakes myself and ending up with some wasted shots, here are a few things worth keeping in mind while using the Instax Mini 13


  • Don’t take out films after loading: Once you insert a new pack of film, avoid opening the back lid or exposing it to light before all the shots are used. Doing so can ruin the remaining film, leading to blank or overexposed prints.


  • Don’t shake the photo while it develops: It might be tempting, but shaking doesn’t speed up the process. It can actually affect how the image develops.


  • Avoid pulling the film out forcefully: Once the photo starts ejecting, don’t try to pull it out quickly. Let it come out naturally to avoid damaging the print.


  • Don’t block the print exit area: Make sure your hand or any surface isn’t covering the slot where the photo comes out from. Blocking it can interrupt the printing process or damage the film as it ejects.


  • Blocking the lens or sensor accidentally: While adjusting your grip, especially for horizontal shots, it’s easy to cover part of the lens or sensor with your fingers. This can affect exposure or ruin the shot.


  • Don’t leave used film packs inside for too long: Once finished, remove the empty pack before inserting a new one to avoid jams or misfeeds.


Who is this camera for?


The Instax Mini 13 is best suited for someone who wants a simple and enjoyable way to capture moments without getting into technical details. It’s not built to replace your phone or a proper camera, but to offer something different, instant, physical photos with minimal effort.

 


It fits well into casual use. Think small gatherings, birthdays, trips or even journaling and scrapbooking. The focus here isn’t on perfect image quality, but on creating something tangible that you can keep, share or stick onto a wall or notebook.

 


At the same time, there are clear trade-offs. The image quality is average, controls are limited, and the cost of film can add up over time. It’s the kind of device you bring out for specific moments rather than something you use daily.

 


Where it works best is in its simplicity. You don’t need to understand settings or spend time adjusting anything. Just point, shoot and wait for the print. That ease of use makes it accessible to almost anyone.

 


However, if you prefer having control over your shots or want to experiment with photography, this camera will likely feel restrictive. It doesn’t offer much flexibility beyond the basics.

 


Overall, the Mini 13 leans more towards being a lifestyle gadget than a serious camera. It’s for those who enjoy the experience of instant photography and are okay with its limitations.


  • Price: Rs 10,999

  • Colours: Dreamy Purple, Candy Pink, Frost Blue, Lagoon Green and Clay White

  • Mini format film pack (Pastel Galaxy): Rs 899



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